zabriskie2.jpg

On a trip to Death Valley over the New Year's holiday I took this photo of Zabriskie Point, a classic desert vista and also the name of a critically maligned Antonioni film -- sort of the European take on the 60s counterculture in California.

Death Valley is, of course, one of the hottest places on earth, and is certainly the hottest place in North America. It's vast and more than a little weird. With much of it below sea level, it's perhaps not surprising that the underworld seems to hold sway here -- you'll find the 'devil's racetrack', a place where stones slide unseen across a dry lake bed, and the tortured shrubs of the 'devil's cornfield' (a surefire attraction for the treking midwesterner). The devil left some other stuff strewn around the valley too, but enough said on the point.

International tourists have seemed scarce in the US in the past few years, but with Bush's era waning, perhaps they are feeling more comfortable here. Or perhaps the shrinking dollar has simply made the US a more economical destination. Either way international tourists seemed to make up the majority of people in Death Valley (now the US's biggest national park outside Alaska). Japanese, Chinese, German, British, Australian, like Antonioni they come to experience what they -- more, it seems, than Americans -- imagine as the quintessentially American scene. Nobody seems to drive there from home;all the cars have that distinctly awkward rental look.

In January, at least, Death Valley is beautiful. In a deathy kind of way.

Feel free to download a larger, much prettier version of this photo from my web site.

Comments

If you don't mind, Im going to put this up on our playlist for today. Cheers!
Thanks for the kind comments -- just a little background on the film references, because I'm sensing Antonioni isn't really all that well known these days. Michelangelo Antonioni was a mid 20th century Italian modernist film director. He did several films in English, including his most successful and probably most accessible film 'Blow Up' in 1966. That one, along with 1964's Italian language film, Il deserto rosso (the red desert) are, in my opinion, the ones to watch if you want a taste. Blow-up is worth a watch just to be transported back to London in the swinging 60s, if nothing else. But generally, Antonioni films convey a sense of isolation and alienation, so it's perhaps not surprising he was attracted by the utter desolation of Death Valley.
oooooo. what an image and what a great story to tell behind it. Please send more!
I've never heard of this movie, but this shot is just splendid. Love the variety of colors; almost like it was painted.
oh wow, you were there? that movie just does so many things i can't even start to think about it. but then when i do i can't help go to that desert, uhhh, scene where they are all one with the land. my goodness that's stuck with me.